Portal want you gone midi file

I welcome comments and suggestions. Since you asked, how about the Sibelius file please? I happen to be a Sib guy as well I love the midi!

Also, this has been my favorite interpretation so far which has already been posted, yada yada. I mentioned elsewhere that when I didn't remember the song properly, and tried to think of the tune of the first line, I'd end up thinking it to the tune of Space Doggity. I hoped this meant they were really similar, but I feared it was simply a random slip of the non-musically-trained mind.

I also found some part later in the song which reminded me of Under The Pines, but I can't think what it was now. Now I just need another long weekend, since I spent most of this one playing Portal 2 and have reserved the rest of it to fill my 'going out in the sunshine and interacting with people so that I can lay claim to being a well-adjusted normal human being' quota. I don't have much to add on topics of music theory, but I recall that Jonathan recently mentioned that minor third modulation on Thing a Week Redux.

I actually had to force myself to stop using it in the songs on this new record, because it was becoming a habit. Chickazul That modulation is addictive! As I mentioned somewhere before, Franz Schubert, for one, couldn't get enough of modulations in thirds. And little Franz had a pretty good ear. JoCo keeps good company. Maybe someone proficient in sibelius could give it a go? Also, I'm not completely certain about the vocal rhythm, so anyone can feel free to tweak that.

May edited May This thread has been sitting in my RSS feed being avoided for the longest time, but I finally got the game, and just beat it tonight I love a good theory discussion, so here goes What you call that second chord in the chorus does seem open to some interpretation.

There's clearly to my ears an F inverted pedal tone in the top of the piano chord, which means that if it were a C 7 chord, it would have to be a sus4, as noted above. The melody goes A -B-C , so at least one of those notes is a non-harmonic tone. And of course the whole thing is over G So what it comes down to is how do you analyze the dissonance between the G and the F? To interpret it as a C chord, I'd have to use 2nd inversion, which is a weak and theoretically, mildly dissonant inversion anyway, with a sustained 4th and no third, and with a melody that supposedly contains a 7th, but which is unaccented, and which doesn't resolve downward as 7ths are "supposed" to.

Yes, I know these all these rules can be, and regularly are, broken; but when the combination of them weakens the C chord to the point where there's no root, no 3rd, and an unresolved 7th, is it really still a C chord?

Occam's razor suggests otherwise. That sounds really awkward. If it were a C chord, putting the C in the bass should strengthen it, not weaken it. Anyway, that's just my take on it hope I didn't sound like a jerk explaining it Great song! May Intro completely matches "I'm you moon" I noticed this too. Reminded me of Chiron Beta Prime right away. It also contrasts with the ending of Still Alive, where GLaDOS assures us she "feels fantastic" and I'm still alive , but that's kinda the whole point.

Sorry Here are a few observations based on all the live videos from the "slightly experimental version" of the Ottawa performance: Most obviously, he added a little intro. I haven't tried to work out the intro chords yet but it sounds like parallel fourths or fifths to me, maybe "power chords" are involved?

He's actually playing a step lower in the keys of G verse and E chorus. This isn't really surprising since these are sweet spots for the guitar. For us guys, this key also brings the high chorus vocals into a slightly more accessible portion of the falsetto range. I'd imagine he played it this way "for real", but with a capo on the 2nd fret.

The little figure that occurs on the dominant, halfway through the verse is substantially different, and goes higher than the main verse motif instead of lower out of necessity, since a standard-tuned guitar doesn't have a low D On the second verse, there is a bit more going on in the treble strings, than just the main verse motif.

In fact, the entire fingering is different on this verse. Can anyone make out the actual chords he's playing in the verse? I know it starts on E, and walks up to an A on the 5th fret, but the in between chords just look like a tangled mess of fingers to my untrained eye.

I've got a pretty good feel for how he played it in Ottawa, so I'll bite: The intro is primarily just an open position E chord moving to an F or F m sort of voicing that leaves the two E strings and the B string open in a pedal-point fashion a lot like some of the voicings used in the main riffs of "Good Morning Tuscon" and acoustic "Code Monkey", just lower on the fretboard I'm hearing it as something simiar to either or , but it could be a number of other very similar possibilities I'll have to review more videos, I've only watched one.

Correct about the lower key, certainly somewhat more accessible to the male voice, and indeed sweet spots on the guitar The dominant figure at halfway through the verse sounds to me like some rather typical play on a Dsus4 to D thing, to compensate for the lack of a low D on the instrument.

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